Moviegoers are encouraged to buy tickets as well as snacks beforehand through XXI’s official ticketing system M-TIX or TIX ID, or pay with cards at the counter while keeping 1 meter distance from other visitors in the theatres. If your body temperature is above 37.3 degrees celsius, you will be denied from entering the premises.
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A number of regulations are now imposed in XXI theatres, including 50 percent capacity limit and standard COVID-19 health protocols such as temperature check and hand sanitizer usage at the entrance, obligatory face masks, and QR code scanning for contact tracing. If you reside in the cities listed above and are planning to go to the movies, your experience will be notably different from the pre-pandemic days. Cinema operators say reopening under this condition would not cover operational costs.
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25, during which movie theatres are allowed to reopen to 25 percent capacity. Jakarta is currently undergoing the second phase of transitional Large-Scale Social Restrictions (PSBB Transisi) until Oct. If you're a fan of offbeat, surrealistic, artsy-but-not-annoying cinema, check these out for sure.“One of the obstacles we’re facing is that we have limited choices of films to show, be it Hollywood or Indonesian films,” Dewinta said. To me, "Shaking Tokyo" alone is worth the price of admission.
You may notice cool tricks like the opening scene being shot entirely in 1 take, even though it guides us through several rooms and conveys the passing of time as if days are going by. I also found the camera work to be the most pleasing here. A spectacular, mind-boggling finale rounds out this great piece leaving you with much to ponder. But then by chance he encounters a strange visitor whose brief appearance causes him to, once again, question his chosen existence. The man is very likable in a nerdy way, and we instantly connect with him as someone who realizes that there's something wrong with the urban rat race, and so he withdraws into the most minimal sort of existence. Set almost entirely in the meticulously tidy apartment of a "hikikomori"-a man with extreme agoraphobia who hasn't left his apartment in 10 years, it's surprisingly engaging despite its deliberately slow-moving presentation. "Shaking Tokyo" by Korean director Joon-ho Bong ("The Host") is a masterpiece of social disconnection. Sort of like a "Hunchback of Notre Dame" story but without any sympathy for the hunchback, this is a good film to watch when you're particularly disgusted with humankind. Directed by another French director, Leos Carax ("The Lovers on the Bridge"), this is an acidic film from start to finish. But, more than any sort of human character study, this segment is rooted in deep social satire. For that reason, this segment may seem unfulfilling to a lot of viewers (after all, who wants to watch a movie about a bunch of people you don't really like). Since the only real characters are the sewer monster and his kindred lawyer, there's not really anyone to get attached to. "Merde" (French for "sh!t") is a deeply satirical story of a repulsive criminal who lives in the Tokyo sewers, his violent activities, and society's bizarre reactions to him.
Spots of cute, satirical humor (poking fun at the pretentious artsy director boyfriend) as well as the under-appreciated girlfriend-an always welcome appearance of one of my favorite Japanese actresses, Ayako Fujitani (Steven Seagal's daughter, loved her in "Ritual")-make this a deliciously charming, mindbending treat to watch. It begins with a somewhat mundane story of a young, penniless couple trying to scrape by in Tokyo, but it soon progresses into surreal, dreamlike, Michel Gondry territory. This is actually an adaptation of a 4-page comic strip called "Cecil and Jordan in New York" by Gabrielle Bell. "Interior Design" is the first entry by French director Michel Gondry (known for "Eternal Sunshine of the Spotless Mind" as well as all the cool Bjork videos from the 90s). "Tokyo!" is a collection of 3 short films each set in Tokyo, each made by a respected director who is not Japanese.
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